KIMBERLY CHAPMAN SCULPTOR
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  • Home
  • Work
    • Freedom Fighter >
      • A Seat at the Round Table
      • Throwing Down the Gauntlet
      • Mother Mary Please Help Me
    • 86 Reasons >
      • Invisible Reliquaries
      • The Women
      • Phrenology Kit
      • Trophies
      • Elva's Ride
      • Voyerisom Comes at a Painful Cost
      • Teeth & Tea Cups
      • Tintypes
    • Hush >
      • Bridled Women
      • Elsie's Arsenal
      • Ghost Ships & Stargazers
      • Chambers
      • "A" is for Active, "S" is for Shooter
    • Other Collections >
      • Reliquaries
      • London Calling Series
      • Hands of Association
      • Nostalgia Series
      • Celestial Beings
  • About
    • Resume
    • Artist's Statement
    • Biography
  • Press
  • Contact
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"My work is sculptural in nature, non-functional and highly narrative"


Resume
Artist's Statement
Bio


Kimberly was drawn to making unusual things at an early age. In the sixties she made edible bugs and worms with Mattel’s Incredible Edibles - watching for hours as the heated gel hardened into permanent objects.

Today her permanent objects explore more piercing topics: reproductive freedom, mental asylums, school shootings, silencing women, the refugee plight and domestic violence. Her message is conveyed through eerie porcelain sculptures - a much more finicky medium than consumable gel. 

After a 25-year marketing career Kimberly recently graduated from the Cleveland Institute of Art with a BFA to pursue her dream of becoming a full time artist.

Her work continues to be shown in multiple solo museum exhibitions as well as in numerous group exhibitions. 

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